Enon
Genres; Rock
Enon are the trio of John Schmersal (who was involved
with Brainiac and John Stuart Mill) and Rick Lee and Steve
Calhoon (both of Skeleton Key). Like groups such as Olivia
Tremor Control, they're interested in exploring that wide
territory between pop-rock songs and noise, employing a
wealth of samples, industrial sound processing, and percussion
that veers toward crockery-smashing murkiness. Not as inclined
toward melodies of the 1960s and '70s as groups like Olivia
Tremor Control are, there are nonetheless often pensive,
oddball pop tunes lurking in their swathe of sound. Enon,
originally the project of Schmersal alone, put out a couple
of indie singles before Schmersal moved to New York to link
up with Calhoon and Lee. Calhoon left the band and was replaced
by Toko Yasuda; the addition of Matt Schultz made the group
a quartet. Their debut album, Believo!, was released in
2000, and proved that the lineup was a successful one. High
Society followed in 2002, with the same players but a more
poppy, uptempo sound. The following year, the group issued
the In This City EP and went on tour with the Faint. <From
Spinner.com>
Dressy Bessy
Genres; Rock
Denver-based indie-pop band Dressy Bessy was led
by singer/guitarist Tammy Ealom, who began her musical career
as a member of the little-known 40th Day; in time she left
the group to focus on writing her own material, eventually
joining the earliest incarnation of the Minders. A series
of short-lived projects (including a stint in Sissy Fuzz)
followed before a frustrated Ealom befriended drummer Darren
Albert, and with bassist Rob Greene they formed Dressy Bessy,
issuing their debut single "Ultra Vivid Colour"
in mid-1997. Ealom's boyfriend, Apples in Stereo guitarist
John Hill, signed on for 1998's You Stand Here EP; the full-length
Pink Hearts, Yellow Moons followed early the next year;
California, the band's sophomore album, was issued in late
2000 .<From Spinner.com>
Clem Snide
Genres; Rock
Conjuring a sweet and lusciously
melancholy sound that merges the tunefulness of vintage pop,
the late-night vibe of cool jazz, the lonesome spirit of classic
country, and the delicate touch of folk, Clem Snide are a
trio who've gone through more than their share of changes
since they first formed in 1991. Clem Snide was first assembled
by singer, guitarist, and songwriter Eef Barzelay while he
was attending college in Boston during the early '90s; the
first edition of the band was created to perform his earliest
attempts as songwriting, and the sound was dominated by noisy,
punk-jazz inspired dissonance with abrasive guitar lines and
bleating saxophone. (Significantly, the band was named for
a character in the William S. Burroughs challenging novel
Naked Lunch.) While this early lineup played out occasionally
and released a pair of 7" singles on a local label, Barzelay
became disenchanted with both the band and the city of Boston,
and the group split up in 1994. Two years later, Barzelay
had relocated back to the East Coast after dropping out of
school (he was born in New Jersey), and he was living with
his parents when he got the itch to start writing songs again.
Barzelay reconnected with Jason Glasser, who had played bass
for a spell with Clem Snide, and was now learning the cello
while attending art school in New York City. Barzelay and
Glasser soon began working up new material under the name
Fruit Key; after adding Jeff Marshall on double bass, Barzelay
opted to resurrect the name Clem Snide, and by the end of
1996 the group was playing small shows around New York. The
following year, the band began recording a demo, and added
drummer Brad Reitz to the lineup; the demo sessions eventually
evolved into an album (with a variety of friends and contemporaries
helping to fill out the group's sound, a practice which would
continue on future recording projects), and Clem Snide's debut,
You Were a Diamond, was released in 1998. In 1999, Reitz left
the band, and new percussionist Eric Paul stepped in during
the sessions for the group's second album, Your Favorite Music,
which was released during a short-lived tenure with Sire Records.
The group's relationship with Sire was through by the time
the band finished their third album, 2001's The Ghost of Fashion,
but Clem Snide's career enjoyed a boost when a song from the
album, "Moment in the Sun," was chosen as the theme
for the hit television series Ed. Several tours across the
globe followed throughout 2002, however Jeff Marshall grew
tired of the road. He left the band, but went on to participate
in the recording sessions for the band's fourth album, The
Soft Spot (2003). Pete's cousin, Brendan Fitzpatrick stepped
in to play bass shortly thereafter. <From Spinner.com>
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